Lincoln School of Film and Media – Research Seminar 1st March


Jacques Rancière

Wednesday, 1st March, 1-3pm in MC3107

Internal Guest: Dr Conohar Scott

Abstract title: Framing Dissensus: the Projects of Environmental Resistance 

Using Jacques Rancière’s description of art as a profoundly dissensual medium, which exhibits a ‘singular power of presence […] that tears experience from ordinariness’, I argue for the potential for art to alter the social imaginary in the struggle for environmental remediation. By way of comparison to the work of Richard Misrach and Andreas Müller-Pohle, I would like to focus primarily on the projects of the artist-led group Environmental Resistance (I am a founding member of this group), which is a UK collective currently comprised of a photographer, an environmental scientist and a graphic designer.

Environmental Resistance aims to provide a “service” for environmental advocates by combining an indexical description of the polluted topography with quantitative data affirming the existence of a substantive environmental threat. This is done by creating multimodal artworks, which merge photography with graphical content in the form of infographs, QR codes linking to scientific publications, or activist video footage. In other examples, the photograph is combined with mineral sampling data taken from within the frame of the image. In collaboration with activists or the environmental science community, the resulting artworks can then be disseminated to politicians, scientists, health professionals, civil servants and local citizens, in a bid to constitute a newly emergent public, cognizant of the threat offered by industrial polluters.

Continue reading “Lincoln School of Film and Media – Research Seminar 1st March”